“He defended Egyptian id, he was a Nasserite and I used to be one in all his college students. »

Director Khaled Youssef revealed his opinion on the late author Osama Anwar Okasha, and highlighted that the deceased at all times defended the nationwide and Egyptian id, emphasizing that he was one in all his college students and really satisfied of his pondering and of his imaginative and prescient of life.

Collected pictures of director Khaled Youssef on the “Wikipedia” website, a photograph of him on the “Akhbar Al-Youm” portal and a photograph of the late Osama Anwar Okasha on the “Masrawy” website, which have been modified and mixed by Egyptians. stars.

Khaled confirmed, throughout a phone interview with journalist Azza Mustafa, who presents this system “Enhancing Corridor”, broadcast on the “Sada El Balad” display screen, saying: “The late Osama Anwar Okasha was very within the stability between modernity and originality. , and that trendy winds can not uproot you. » Of your origins, and that is critically the case of the deceased in most of his works.

The director continued: “The deceased stood for Egyptian id and character, though the theme was completely different, and that is as a result of he was serious about Egyptian nationwide id and character traits, and that is actually an honor for me to be one in all his college students. He’s the son of the Nasserist undertaking and I’m like him, and all our constants are the identical.

Khaled Youssef added: “All his life he talked about financial openness and its influence on the Egyptian id system, and now we have been engaged on this matter for about 50 years, and this undertaking is previous and new. »

The director additionally spoke, throughout the intervention, of his nice pleasure on the public’s reactions to the movie “Al-Iskandarani”, starring the artist Ahmed Al-Awadi, and which relies on the novel by the late author Osama Anwar Okasha, and whose concept revolves across the relationship between originality and modernity and its rhythm.

Khaled confirmed that the script had 180 pages, of which 100 have been deleted and 80 retained, and he made some modifications with out prejudice to the worth of the work belonging to author Osama Anwar Okasha. He defined that he had made a terrific effort to make the work seem on this stunning and fantastic picture.